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Tina Enghoff: Displaced
Tina Enghoff: Displaced
Tina Enghoff: Displaced [signed] - 2
Tina Enghoff: Displaced [signed] - 3

Tina Enghoff: Displaced [signed]

€41

Keyword: 2018-2020, archive, history, colonialism, Greenland, Danish photographer

Size: 210 x 290 mm Pages: 176 Format: hardcover Language: English, Greenlandic Illustration: 106 colour & b/w Text: Inge Host Seiding, Louise Wolthers Afterword: Peter Berliner Book design: Tina Enghoff Printing: Göteborgstryckeriet Publisher: Dogwalk Books Pub Year: 2021 Weight: 1123 gr ISBN 13: 9789151980218

Exhibition: Greenland National Museum; Sidimiut Museum; Black Diamond, Copenhagen 2020-2022

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    Description

    Article no.: 9789151980218

    Through the archive: Exploring the colonial relationship between Greenland and Denmark From the publisher: Displaced, is based on research, site-specific art activism, outreach and local collaborations in Greenland, and it examines the archive's role in relation to personal history. The research takes us through two paralell worlds, David's memories of his stay as a child in Denmark in the beginning of the fifties, oral history, and written statements about him and Nanortalik (his place of birth) in the Danish archives. Displaced is based on postcolonial identity and tales of losing ones roots, belonging and language - but also of regaining ownership. From the text by Louise Wolthers: Listening to Traces The story unfolds between a detail of a snapshot from Refs­næs Coastal Hospital in the mid-1950s and a 3D visualisa­tion of stones from the beach below the hospital a lifetime later. Between David Samuel Naeman Josef Kristoffersen, one of the children in the photograph, and Tina Enghoff, who has gathered the stones and archival material included in Displaced. David Kristoffersen’s story can begin in different places at different times. Like a thin yet strong thread, it ties Greenland and Denmark together, weaving between the rods of colonisation: displacement, annexation, and silencing. David Kristoffersen’s story is, however, first and foremost his own, and he relates his memories partly in his own voice, and partly by allowing Tina Enghoff to weave new threads into the story in the form of archival material, documentation of physical places, and visual manifestations of states of mind. Individually these traces are subdued and almost negligible, but together they form a chorus of testimony to colonial history that has deep resonance. Contributors: Peter Berliner, Professor of Community Psychology at Ilisimatusarfik, University of Greenland Louise Wolthers, Hasselblad Foundation, Research Manager/Curator Inge Høst Seiding, Head of Institute at Ilisimatusarfik, researcher

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