Anders Edström: Enköping, 1986 [signed]

In 2022, Edström went through his archives making a final selection of these photographs shot in and around Enköping. The images convey Edström's recognitions about the place where he lived, his thoughtful restraint with people and the enhancing regard of lived places and nature that today defines his work.


From the text by Jeff Rian:
Anders Edström's first photographs were like memento mori of the last stage in photography's link to truth, before being overwhelmed by computer alterations. The gamut or contrast from black and white was carefully formalized in each photograph, each one a synthetic representation, and each one an artifact in a continued obsession with increasing two-dimensional art's proximity to life and experience.