Tove Kjellmark: The Horse, the Robot & the Immeasurable
€40
Keyword: 2006-2022, sculpture, drawing, videoinstallation, performance, Swedish artist
Size: 220 x 270 mm Pages: 256 Format: hardcover Edition: 500 copies Language: English Illustration: in colour Editor: Jonatan Habib Engqvist, Tove Kjellmark Text: Jonna Bornemark, Jonatan Habib Engqvist, Elin Hernlund, Tove Kjellmark, Sinziana Ravini, Joanna Sandell, Karin Victorin Photo: Carl-Michael Herlöfsson Book Design: Waters Löwenhielm Printing: Narayana Press Publisher: Arvinius + Orfeus Publishing Pub Year: 2022 Weight: 1600 gr ISBN: 9789189270497Exhibition: Färgfabriken 2022-23
Description
Article no.: 9789189270497
An investigation of encounters with horses, about movement and transformation
From robotic drawings to large-scale installations
From the publisher:
This book presents the practice of artist Tove Kjellmark and her extensive artistic research project ‘The Horse, the Robot and the Immeasurable: A Practice-Based Exploration of Matter as a Movement That Constantly Takes on New Shapes’. With the relationship horse-human-robot in focus, the aim is to challenge the limits of measurability, investigate liminal states and sedimentary expressions sprung from translations between materiality and immateriality through digital, analogue and performative techniques. Fragments of the horse’s spirit, traces of movement shaped as physical echoes, imprints that remain after many digital translations from the encounter with a horse’s physicality. The term ‘translation’ is used in its double meaning: as the transformation of a language or medium into another, and as the movement of a body from one point in space to another.
From robotic drawings to large-scale installations
From the publisher:
This book presents the practice of artist Tove Kjellmark and her extensive artistic research project ‘The Horse, the Robot and the Immeasurable: A Practice-Based Exploration of Matter as a Movement That Constantly Takes on New Shapes’. With the relationship horse-human-robot in focus, the aim is to challenge the limits of measurability, investigate liminal states and sedimentary expressions sprung from translations between materiality and immateriality through digital, analogue and performative techniques. Fragments of the horse’s spirit, traces of movement shaped as physical echoes, imprints that remain after many digital translations from the encounter with a horse’s physicality. The term ‘translation’ is used in its double meaning: as the transformation of a language or medium into another, and as the movement of a body from one point in space to another.